Product Description
The Mower 1881–82 Georges Seurat French. Vintage art by a master. A great gift for art lovers and a peice that lifts the decor by its presence. Title: The Mower Artist: Georges Seurat (French, Paris 1859–1891 Paris) Date: 1881–82 Medium: Oil on wood References on the original Ralph Flint. "The Private Collection of Josef Stransky." Art News Supplement (May 16, 1931), p. 88. Perry Blythe Cott. Worcester Art Museum Bulletin (1933), p. 156. Unknown. The Private Collection of Josef Stransky: French Masters of the XIX and XX Century. Special Reprint from the ARTnews Supplement, May 1931. Recent Accessions up to May 1935 (1935), pp. 2, 21, ill. John Rewald. Georges Seurat. [2nd, revised ed. 1946; French ed. 1948]. New York, 1943, p. 82, pl. 48. John Rewald. Seurat (les maîtres). Paris, 1948, pl. 1. Anita Brookner. "Current and Forthcoming Exhibitions: Paris." Burlington Magazine 99 (July 1957), p. 248. Henri Dorra and John Rewald. Seurat: L'œuvre peint, biographie et catalogue critique. Paris, 1959, p. 38, ill. no 39. César Mange de Hauke. Seurat et son Ouevre. Vol. 2 vols. , Paris, 1961, no. 58, ill. André Chastel Fiorella Minervino. L'opera Completa di Seurat. Milan, 1972, p. 94, no. 50, ill.colorpl. 6a. Charles F. Stuckey. Seurat. Mount Vernon, N.Y., 1984, pp. 8-9, colorpl. 1. Richard Thomson. Seurat. Oxford, 1985, p. 38, colorpl. 34. Charles S. Moffett. Impressionist and Post-Impressionist Paintings in the Metropolitan Museum of Art. New York, 1985, pp. 223, color ill. Alain Madeleine-Perdrillat. Seurat. New York, 1990, p. 38, colorpl. 40. Catherine Grenier. Seurat: Catalogo completo dei dipinti. Florence, 1990, p.41, no. 51, color ill. Michael F. Zimmermann. Seurat and the Art Theory of His Time. Antwerp, 1991, p. 87, colorpl. 126. Richard Tilston. Seurat. London, 1991, p. 44, color ill. Sarah Carr-Gomm. Seurat. London, 1993, pp. 52-53, color ill. Steven Adams. The Barbizon School & the Origins of Impressionism. London, 1994, p. 210, no. 158. Robert L. Herbert. Seurat: Drawings and Paintings. New Haven, 2001, pp. 73, 75, colorpl. 52. Kunsthaus Zürich. Georges Seurat. Exh. cat.Zürich, 2009, n.p. Lucie Cousturier. Georges Seurat. 2013, p. 11, color ill. Tokyo Metropolitan Teien Art Museum. Neo-Impressionism: From Light to Color. Exh. cat.Tokyo, 2014, n.p. Designed for indoor use, custom stretched canvas prints are made from treated cotton - providing the smoothest of matte surfaces for exceptional design vividity. A combination of quality and durability, these hangings come with a lifelong color guarantee; there's significant confidence in their withstanding the test of time. On the backside, pre-installed hanging hardware ensures proper locking to walls. .: 100% cotton fabric .: Wooden frame .: High image quality and detail .: For indoor use
